Sun Tanning Beds Essay Example for Free

Sun Tanning Beds Essay The first original tanning lamp was discovered accidentally in 1903 by a German company called Heraeus who were developing lighting systems for the home and for industrial usage. These lamps were of the high-pressure metal halide variety. They discovered that the light that was developed for visible light purposes also emitted ultra-violet light. In the 1920s and 1930s Heraeus first started to market and sell single lamp, self standing tanning devices. The first high-pressure tanning beds incorporating more than a single high-pressure lamp were manufactured in the mid to late 1970’s by companies such as Ultrabronz and JK Ergoline and in the 1980s the first high-pressure units were exported to the United States. Although tanning beds were initially brought to America by Friedrich Wolff in 1978, he soon patented his particular blend of phosphors and began licensing the technology to other companies. Wolff Systems has since devoted all their resources into lamp technology and development. Some of the early adopters of the Wolff technology include ETS, Inc. , SCA, Sun Industries, Inc. , Montego Bay, Sunal. Later, Friedrich sold Wolff Systems to his brother Jorg Wolff, who was the founder of Cosmedico, Ltd. , another pioneer in the tanning industry. A sun tanning bed is a device emitting ultraviolet radiation used to produce a cosmetic tan. Regular tanning beds use several fluorescent lamps that have phosphor blends designed to emit UV in a spectrum that is somewhat similar to the sun. Smaller, home tanning beds usually have 12 to 28 100 watt lamps while systems found in salons can run from 24 to 60 lamps each consuming 100 to 200 watts. In many ways, tanning beds are simply light fixtures that you lie under to tan. Most tanning beds use choke ballasts, a technology that has been around for about 100 years, consisting of a simple inductor which limits amount of current passing through, and requires a lamp starter to preheat the ends of the lamp briefly at start. Newer ballast systems include magnetic ballasts, electronic ballasts and more recently high frequency ballasts that induce tanning and other fluorescent lamps to work using less wattage, by using higher frequencies. In general, newer ballast designs produce less heat and are more energy efficient. The ballasts regulate the power that is sent to the lamps, so that if you install a 160W lamp in a tanning bed that has 100W ballasts, only 100W will be delivered to the lamp and may actually create less UV and shorter lamp life since the bulb is designed for higher current. The lamp starter part of the bed is used only on beds with choke ballasts and is a simple plasma starting switch. It has no bearing on how powerful the bed is. Like all fluorescent lamps, low pressure tanning lamps work when the ballast directs enough energy to the lamp that a plasma is generated inside the lamp. The lamps are coated on the inside with special phosphors and contain a small amount of mercury (20 mg typical). Unlike high pressure lamps, the glass that is used in low pressure lamps automatically filters out all UVC. Once the plasma is fully flowing it strips away the outer electrons from the mercury, sending them into the phosphor, which produces photons in the proper spectrum for tanning. The electrons, now in a lower energy state, will jump back into place onto the first mercury atom they find with an electron missing. The surfaces on which the tanner lies and which shields the user by physical separation from the lamps on the bench and canopy are typically referred to as the ‘acrylics’. Acrylics are manufactured from a base material of Polymethyl Methacrylate (PMMA), type UVT (UV-transmitting), which has been formulated to have a spectral transmittance in the wavelength region 290-400 nm. This should not be confused with a standard acrylic, or ‘plexiglass’, which would not transmit within this spectral range, effectively inhibiting the tanning properties of the unit. Base resins are typically cell-cast or extruded into sheet and then thermoformed to manufacture the acrylics. On occasion, depending on the complexity of the part, the resin will be injection molded. It is due to the expense of the specially formulated resin, handling considerations and manufacturing processes which drive the cost of acrylic parts, which can be high when compared to standard grade acrylic which can be purchased at your local home improvement store. These acrylic materials should never be cleaned with any agent containing alcohol (i. e. glass cleaner), as this will adversely affect the material surface causing a phenomenon known as ‘crazing’. This will present itself as small fissures resembling spiderwebs forming where stresses are most concentrated on the part and in the region which was subjected to the chemical attack. These shields break down over time as they are exposed to UV and oxygen and must be reconditioned every few years. Failure to do so will reduce the transparency of the acrylic to UV rays, although to the eye it will still appear perfectly clear. The reconditioning is most commonly done with a compound called Novus #2, which is a slightly gritty cleaning compound that removes a microlayer of the acrylic, restoring to near new condition and is used in many other industries. This being said, a better practice is to replace the acrylic as the oxidation described above affects the physical properties of the material rendering it less impact resistant. Most mainstream tanning beds built today use similar electronics, with the primary differences being in the design and quality of the frame and shell of the bed, as well as the number and type of lamps used. The newer electronics are very promising because of their lower power usage, cooler running temperature, and more environmentally friendly components. Tanning beds have about 3-8 times greater UVA than sunlight, while the ‘warning signs’ of overexposure, such as sunburn, do not appear at the same rate indoors as out. Furthermore, the radiation levels are more intense, requiring individuals to limit their exposure to very brief periods. The carcinogenic mutations in some skin cancers have been linked to UVA radiation more than UVB, suggesting that beds have different risks than natural light. The UVA light is also more strongly associated with skin aging than UVB, and with genetic damage. Natural sunlight exposure has made studies of artificial tanning difficult, since many people are exposed to both. There are indisputable values to moderate sunlight exposure. UVB light induces the body to synthesize Vitamin D. Vitamin D is required for calcium absorption, and improves development and reduces cancer risk. The amount of sunlight required, however, is estimated to be less than a single tanning session provides (10 minutes of strong sunlight for many people). The benefits of artificial tanning are generally related to enjoyment and speed. Tanning makes most people feel good. A more useful benefit of tanning indoors rather than tanning outside is the amount of control the tanner has. If a person decides to get a suntan and wants to minimize the risk of getting a sunburn, a tanning bed offers an environment that delivers the same amount of UV in a given period of time, day after day. Tanning beds also offer time savings when compared to tanning outdoors. Most tanning beds offer a maximum session time of 20 minutes and a person can maintain a tan with 1 to 2 sessions per week. For individuals living in urban areas, or who work extended hours, a tanning bed may be the only opportunity for tanning or UV exposure of any kind. A frequently mentioned benefit of artificial tanning is the increased production of Vitamin D. It is believed that indoor tanning beds are useful for the treatment of SAD (Seasonal Affective Disorder), though this is disputed at present. Some people with psoriasis or eczema are treated with UVB light therapy. This is typically in the 310 nm to 315 nm portion of the UVB spectrum. Virtually all fluorescent tanning lamps have one spectral peak within this region of the UVB spectrum, making them an effective tool in mild to moderate cases. UVA light therapy is also used in dermatology. This is often combined with either an oral or topical medication called Psoralen. This combined therapy is referred to as PUVA. Artificial tanning from UV exposure is known to cause cancer, make skin grow old and wrinkle faster, mutate DNA, and reduce the immune system, as well as other possible effects. These problems are believed to be worse from tanning in a tanning bed or sunbed than from the sun, due to the different intensity and spectrum of the artificial light. UVA light specifically, (sometimes called ‘bronzing light’) is clearly associated with increased skin aging and wrinkle production. This is because UVA penetrates the skin more deeply than UVB, and therefore causes damage on a deeper level. Most aging of skin is due to UVA rays destroying collagen and connective tissue beneath the superficial layer of the skin. The US Public Health Service states that UV radiation, including the use of sun lamps and sun beds are ’known to be a human carcinogen (cancer causing agent). ’ It further states that the risk of developing cancer in the years after exposure is greatest in people under 30 years old. There is persuasive evidence that each of the three main types of skin cancer, basal cell carcinoma (BCC), squamous cell carcinoma (SCC) and melanoma, is caused by sun exposure. Women who visited a tanning parlor at least once a month were 55% more likely to later develop melanoma than women who didnt artificially suntan. Young women who used sun lamps for tanning while in their 20s had the largest increase in subsequent cancer risk about 150% higher than similar women who did not use tanning beds. A growing trend is the home tanning bed. Many people are now opting to own their own tanning system instead of going to the salon. The primary reasons are sanitation concerns and convenience. The average home system has 16 to 24 lamps, and costs $2000 to $3000, making its price competitive (over a number of years) for tanners who frequent salons regularly. This has led to an explosion of retailers that feature smaller, home style tanning beds both on the internet and in traditional retail stores. Another trend is spray on tanning (a form of sunless tanning), using either special booths or a hand held setup similar to an airbrush. Many people who try spray on tanning often still go to the tanning salon, and use the spray on as a way to jump start the appearance of a tan, while others use it as a way to look tan while avoiding UV exposure of any kind. This is also demonstrated by the large number of indoor tanning lotions that have bronzers included, which is similar to the chemicals used for spray on tans, DHA.

Rhetoric in Violence as Entertainment by Folisi Essay -- videogames, cr

It is shocking to believe that just because you like videogames and crime shows you are a bad person. This article is one in which talks about people being obsess with violences. What would happen if just because you went to a story and got the the latest Grand Theft Auto videogame people would run for the hill and accuse you of being crazy.In this artical we are given the idea that if a person liked violent video games, and crime shows, then the person is up to no good.In his article, Violence as Entertainment, Folisi employs a variety of rhetorical devices to divert the reader's attention away from his lack of empirical evidence. The most effective of these devices is the use of multiple tones. To a lesser degree, Folisi also uses anecdotal evidence. This works directly against the author's goals, exposing the weaknesses in his arguments.Folisi alternates between authoritative and speculative tones throughout the article. This is utilized in several different ways. First, Folisi is able to pass off many of his assumptions as fact. The topic sentences of many paragraphs start with words such as ‘we’ and ‘our’, projecting the author’s personal thoughts and experiences out onto the rest of his audience. In this way, personal observations are subtly transformed into global assumptions. Consider for example the following excerpt: The fact is, these kinds of news stories fascinate us. But why? Does life in a modern technological world breed individuals who are more criminally incited or inclined? Is it somehow more difficult for us to cope with our lives, with our basic instincts and needs, in societies which are cut off from nature? Through disconnecting and dividing us from our true instinctual inner nature, has modern technologi... ...ts and outcasts, maladjusted in schools and in society at large.† Because he is so eager to apply rhetoric from every possible angle, Folisi accidentally provides a counterargument to everything he has said. This goes unaddressed, as the author fails to recognize what he has done. As a result, the reader is left to question the article, possibly more than they would have had no argument been given at all. In all, Folisi has a strong rhetoric but his lack of practical evidence illuminates the shortcomings in his argument. Additionally, his attempt at using pathos to emotionally engage the reader ultimately flounders and in fact works against him. To make his argument stronger, Folisi desperately needs to rethink his use of pathos and develop stronger evidence. In conclusion readers will be able to expand their thinking and ideas about why people commit crimes.

James Bond

Hello Sandeep, sorry I couldn't make it there yesterday, but I was not feeling well. For Monday: read Act 2 of Othello answer the study questions for Act 1 (they start with # 11, I don't know why! ) We'll look at the Act 2 questions during class Art: draw 2 faces following the instructions on this webpage: http://www. wikihow. com/Draw-a-Face it's a lot like the other website, but also a little different, so you'll get some different ideas on how to do this. STUDY QUESTIONS FOR OTHELLO Act I, Scene1 11. In Act I, scene 1 why does Iago say he hates Othello?What are all the charges he makes against the general? 12. Why does Roderigo hate Othello? 13. Why is the speech by Iago, lines 38 – 62, important in explaining what happens later? 14. Why should Roderigo pay particular attention to Iago's speech? 15. In Act I, scene 1, what is Iago's master plot to annoy Othello and Desdamona? 16. Find all the examples in I, 1, of Iago referring to the sex in terms of animals. 17. Find all t he references in I, 1 of Othello as a devil. Find Iago's use of â€Å"taboo words. † 18. Explain the contrast in the way Iago speaks to Brabantio and the way Roderigo speaks to him. 19.How does Brabantio's attitude toward Roderigo change in the course of this scene? 20. What is Brabantio's explanation of why his daughter has run off with Othello? 21. Why does this scene begin in the middle of a conversation? Act I, Scene 2 22. Who does Iago tell Othello badmouthed him to Brabantio? 23. Everyone says Othello is lucky to wed the daughter of the rich Brabantio, except Othello. Why is he not impressed? 24. Explain what happens between Iago and Cassio in the short time Othello is off stage in the Sagittary (lines 47 – 52) 25. List all of the negative comments or words Brabantio uses to describe Othello. 6. How does Othello react to the provocation of Brabantio's attack? 27. Find five places in I, 2 where Othello exercises authority. Act I, Scene 3 28. At the beginning of I, 3 what do the duke and the council of Venice determine the Turks' military objective to be? How does this relate to what happens later? 29. What is effective in Othello's first speech of justification (lines 76 – 94)? 30. Explain how the relationship between Othello and Desdamona began. Who first initiated the idea of love? 31. How do we know Othello's second speech of justification (lines 127 – 169) was effective? 32.What makes the second speech of justification effective as a piece of language? 33. Why is Desdamona's response to her father's question at lines 176 – 178 especially effective? 34. In this scene what does Desdamona tell us attracted her to Othello? What attracted her to him? 35. How does Desdamona argue that she should be allowed to accompany her husband to Cyprus? 36. What assurances does Othello offer the Council that he will take care of business, even if his wife is with him? 37. Explain Iago's â€Å"parable of the garden† (lines 314 à ¢â‚¬â€œ 327). 38. Find all Iago's uses of the word â€Å"love† in this scene.What's unusual about them? 39. How does Iago manipulate Roderigo in the lines 329 – 370? 40. What is the â€Å"real reason† Iago hates Othello? 41. Why is Cassio a particularly handy scapegoat for Iago's plot? Act II, Scene 1 42. Describe how Cassio acts when he lands at Cyprus, especially when Desdemona comes ashore. (II, 1, lines 42 — 97) 43. Why does Iago verbally attack his wife at II, 1, lines 99 — 110? 44. According to Iago what is all the most accomplished woman in the world is good for? (II, 1, lines 146 — 158) 45. Explain what Iago is talking about at II, 1, lines 165 — 175. 6. How does Iago convince Roderigo that Cassio is in love with Desdemona? (II, 1, ines 215 — 245) 47. What is ironic about Roderigo's response to this news at II, 1, lines 248 –249? 48. In Act I, 3 we hear how Othello's life story helped win the love of Desdemona. I n Act II, 1, lines 220 — 225 we learn Iago's reaction to the same story. What? 49. What has changed since I, 3, in Iago's explanation on why he wants revenge on Othello and others? (II, 1, lines 285 — 311) Why has it changed? Act II, Scene 2 50. In II, 2, lines 12 — 29, what is Iago trying to get Cassio to do? Why? 51.How does Iago's personality change from the way he's behaved in the past? Why the change? 52. What is unattractive about Cassio's behavior as a drunk? 53. How does Iago manipulate the gentlemen of Cyprus to object to Cassio's behavior? 54. Look at II, 2, lines 177 — 182. Why did Iago use those particular words? 55. What new aspect of Othello's personality do we see in II, 2, lines 201 — 215? 56. Describe how Iago, while apparently defending his friend Cassio actually encourages Othello to take action against him? (II, 2, lines 218 — 244) 57. Explain why Cassio reacts as he does at II, 2, lines 260 — 263? 8. Explain why I ago's advice at II, 2, 264 — 325 is a perfectly natural response? 59. In Iago's explanation of his revenge plot at II, 2, lines 333– 359 are there any new motives for his behavior? Act III, Scene 3 60. Is Desdemona's statement at III, 3, lines 20 — 27 surprising? How will it affect the outcome of the play? 61. Why does Desdemona push so hard for Cassio to get his job back? 62. Explain the passage at III, 1, lines 75 — 85. In what way are Othello and his wife operating at crossed purposes? 63. How does Iago manipulate Othello in the passage from line 93 — 123? 64.How many times does Othello demand to know Iago's thoughts (or some variation on that theme) in the passage of III, 3, lines 93 — 164? Why doesn't Iago answer him? 65. How does Iago manipulate Othello in the passage from line 124 — 176? (Where is the first mention of â€Å"cuckoldry† in this scene? 66. How does Othello appear to escape Iago's trap in the passage lines 1 76 — 192? 67. How does Iago manipulate Othello in lines 193 — 213? Why does Othello fall for the manipulation? 68. How does Iago manipulate Othello in lines 214 — 241? 69. At what point in the play does Iago know for sure that he's hooked Othello? 0. What are the reasons Othello believes Desdemona may have betrayed him? What does he decide to do about the betrayal? 71. Why does Emilia take Desdemona's handkerchief? What does that tell us about the relationship between Iago and his wife? 72. Why is Iago upset at Othello's reaction at lines 335 — 370? 73. How does Iago manipulate Othello at lines 371 — 423? 74. How does Iago manipulate Othello at lines 424 — 476? 75. In the sequence at III, 3, lines 330 — 370 how has Othello's attitude changed since we saw him last? 76. Explain why Othello threatens Iago at III, 3, lines 355 –379.How do you think Iago feels when he is threatened with violence? 77. Where did Iago's â€Å"dreamâ⠂¬  (III, 3, lines 407 — 423) come from? Why did Iago select the particular details that he chose? 78. How does the relationship between Iago and Othello change in the last 30 lines of the scene? How does Shakespeare physically show the shift in power? 79. What do you think may have been going through Iago's mind when he says, at line 472, â€Å"But let her live†? Act III, Scene 4 80. In Act III, 4, line 34, what does Othello mean by, â€Å"O, hardness to dissemble! â€Å"? 81. How does Emilia explain Othello's anger over the missing handkerchief?How effective a liar is Desdemona? 82. Is Othello's handkerchief really magic? Argue both â€Å"yes† and â€Å"no. † 83. How does Iago control the communications between Othello and all the other characters? Why does Desdemona excuse her husband's anger? 84. Who is Bianca and what's her problem? What similarities does she have with Othello? Act IV, Scene 1 85. In the first 30 lines of IV, 1, how has the relati onship between Iago and Othello changed since III, 3? 86. Why does Othello lose consciousness at IV, 1, lines 35 — 44? How does Iago explain what happened? Why? 87.Explain how Iago stages the dual, simultaneous manipulation of Cassio and Othello at IV, 1, lines 95 — 144. 88. Do you think Iago anticipated Bianca's appearance at line 145? How is he able to use her arrival to further his deception? 89. What's different about Othello's attitude toward Desdemona lines 178 — 210? What causes this change? 90. Explain what is happening in the sequence at IV, 1, lines 218 — 261? Why â€Å"goats and monkeys! † 91. How does Iago manipulate Lodovico in the last 20 lines of IV, 1? Act IV, Scene 2 92. What does Othello mean when he addresses Emilia at IV, 2, lines 27 — 30? 93.According to Othello what's the worst part of being a cuckold? 94. Where in Act IV, 2, does Desdemona finally start to fight back? Explain her physical reaction right after Othello l eaves at line 92. 95. Where in this scene does Emilia almost figure out what happened? Explain her husband's reaction to her speculations. 96. Who is the first person in the play to figure out Iago's duplicity? How is Iago able to manipulate this person, even after the truth is known? Act IV, Scene 3 97. What is the point of Act IV, 3? 98. Explain the difference between Desdemona's and Emilia's attitudes toward adultery. 9. Explain exactly how Iago manipulates every single person who appears in this scene. 100. Explain the significance of Iago's lines at IV, 3, lines 18 –20. 101. Why does Iago accuse Bianca of complicity in the attack on Cassio? How is he able to make the case against her? Act V, Scenes 1 & 2 102. Contrast V, 1 and V, 2 in terms of characters' motivations, actions, pace of the events, moral significance of the actions, etc. 103. Based on your sense of Act V, scene 2 (what happens and why it happens) argue that Iago wins the battle for Othello's soul. Then arg ue that Othello wins the battle.

The Impact Of Journalism On Culture And Culture - 2082 Words

Although journalism and culture are inextricably related, the nature, degree, and influence of this relationship is difficult to categorize, given its symbiotic nature, and fluctuating parameters. To assert journalism wholly or exhaustively reflects culture would be misrepresentative, as systemic social, political and technological, factors also contribute to cultural definitions. Equally, to say journalism does not impact perceptions of culture would be erroneous, as journalism’s agenda-setting role fundamentally influences the thought citizens assign to cultural factors. Additionally, the fragmented, pluralistic cultural landscape, which is an indication of the prominence of sub-cultures and multiculturalism, dictates relationships between journalism and culture are innately elusive. Realistically, definitions of this relationship can be neither absolute, nor finite, but instead must evolve alongside cultural evolutions, recognising underlying nuances and intricacies. Acc ordingly, this essay aims to demonstrate that, while journalism does, to some extent, express a culture in which it resides, it does not representatively express the entire culture in which it resides. Instead, cultural expressions overwhelmingly reinforce dominant, male-centric corporate cultures, from which journalism benefits, and to which it contributes. Thus, rather than wholly expressing cultures, journalism often undermines or underrepresents marginalised, fringe sub-cultures, thereby expressingShow MoreRelatedChilean Journalism Practices And How They Have Evolved And Respond Within The Culture1104 Words   |  5 Pages Claudia Mellado and Claudia Lagos, journalism professors at Chilean universities conducted a study on Chilean journalism practices and how they have evolved and responded to changes within the culture. Different platforms took different directions depending on whether they were national and supported by the government or private and supported independently. 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